RIP Burt Reynolds

Talk about the latest movies and video releases here!
Post Reply
Message
Author
User avatar
AndyDursin
Posts: 34276
Joined: Tue Oct 05, 2004 8:45 pm
Location: RI

RIP Burt Reynolds

#1 Post by AndyDursin »

Love him or hate him, he was one of the biggest stars of the 70s (and the early 80s) for that matter.

Fine tribute in the Hollywood Reporter:

https://www.hollywoodreporter.com/news/ ... m=referral
Burt Reynolds, the charismatic star of such films as Deliverance, The Longest Yard and Smokey and the Bandit who set out to have as much fun as possible on and off the screen — and wildly succeeded — has died. He was 82.

Reynolds, who received an Oscar nomination when he portrayed porn director Jack Horner in Paul Thomas Anderson's Boogie Nights (1997) and was the No. 1 box-office attraction for a five-year stretch starting in the late 1970s, died Thursday morning at Jupiter Medical Center in Florida, his manager, Erik Kritzer, told The Hollywood Reporter.

Always with a wink, Reynolds shined in many action films (often doing his own stunts) and in such romantic comedies as Starting Over (1979) opposite Jill Clayburgh and Candice Bergen; The Best Little Whorehouse in Texas (1982) with Dolly Parton; Best Friends (1982) with Goldie Hawn; and, quite aptly, The Man Who Loved Women (1983) with Julie Andrews.

Though beloved by audiences for his brand of frivolous, good-ol'-boy fare, the playful Reynolds rarely was embraced by the critics. The first time he saw himself in Boogie Nights, he was so unhappy he fired his agent. (He went on to win a Golden Globe but lost out in the Oscar supporting actor race to Robin Williams for Good Will Hunting, a bitter disappointment for him.)

"I didn't open myself to new writers or risky parts because I wasn't interested in challenging myself as an actor. I was interested in having a good time," Reynolds recalled in his 2015 memoir, But Enough About Me. "As a result, I missed a lot of opportunities to show I could play serious roles. By the time I finally woke up and tried to get it right, nobody would give me a chance."

Still, Reynolds had nothing to apologize for. He was Hollywood's top-grossing star every year from 1978 through 1982, equaling the longest stretch the business had seen since the days of Bing Crosby in the 1940s. In 1978, he had four movies playing in theaters at the same time.

Reynolds' career also is marked by the movies he didn't make. Harrison Ford, Jack Nicholson and Bruce Willis surely were grateful after he turned down the roles of Han Solo, retired astronaut Garrett Breedlove and cop John McClane in Star Wars, Terms of Endearment and Die Hard, respectively. He often said that passing on James L. Brooks' Endearment was one of his worst career mistakes. (Nicholson won an Oscar for playing Breedlove.)

Reynolds also indicated he was Milos Forman's first choice to play R.P. McMurphy (another Nicholson Oscar-winning turn) in One Flew Over the Cuckoo's Nest, "backed away" from playing Batman on TV in the 1960s and declined the part made famous by Richard Gere in Pretty Woman.

In John Boorman's Deliverance (1972), based on a book by James Dickey, Reynolds starred as macho survivalist Lewis Medlock, one of four guys from Atlanta who head to the wilderness for the weekend. Filmed by Vilmos Zsigmond along the Chattooga River near the Georgia-South Carolina border, it was an arduous production that Boorman shot in sequence.

"When I asked John why, he said, 'In case one of you drowns,' " Reynolds wrote.

He had good reason. When Reynolds saw test footage of a dummy in a canoe going over the falls in one scene, he told Boorman the scene looked fake. He climbed into the canoe, was sent crashing into the rocks and ended up in the hospital. "I asked [Boorman] how [the new footage] looked, and he said, 'Like a dummy going over the falls,' " Reynolds wrote.

Deliverance, infamous for its uncut 10-minute hillbilly male rape scene ("squeal like a pig"), was nominated for three Academy Awards but came away empty. It lost out to The Godfather in the best picture battle.

"If I had to put only one of my movies in a time capsule, it would be Deliverance," Reynolds wrote. "I don't know if it's the best acting I've done, but it's the best movie I've ever been in. It proved I could act, not only to the public but me."

Three months before the movie opened, Reynolds — once described by journalist Scott Tobias as the "standard of hirsute masculinity" — showed off his mustache and other assets when he posed nude on a bearskin rug for a Cosmopolitan centerfold in April 1972. (Seven years later, he would become the rare man to grace the cover of Playboy.)

The Cosmo issue sold an outlandish 1.5 million copies. "It's been called one of the greatest publicity stunts of all time, but it was one of the biggest mistakes I've ever made," he wrote, "and I'm convinced it cost Deliverance the recognition it deserved."

A running back in high school and college who talked with legendary coach Bear Bryant about attending Alabama, Reynolds put his gridiron skills to use in Robert Aldrich's The Longest Yard (1974), playing Paul "Wrecking" Crewe, who leads his rag-tag team of prison inmates in a game against the guards. He later starred in Semi-Tough (1977), another football film.

Smokey and the Bandit (1977), written and directed by his pal, the legendary stuntman Hal Needham, grossed $126 million (that's $508 million today, and only Star Wars took in more that year). Reynolds, who stars as Bo "Bandit" Darville, hired to transport 400 cases of Coors from Texas to Atlanta in 28 hours, noted that, unbelievable as it sounds, Smokey was Alfred Hitchcock's favorite movie.

Reynolds drives a sleek Pontiac Trans-Am in the film, and after the picture opened, sales of the model soared. (His black car is mentioned in Bruce Springsteen's "Cadillac Ranch," and the Tampa Bay Bandits, a U.S. Football League team in which he had an ownership stake, were named for the movie.)

Smokey spawned two sequels, and Reynolds went on to work again with Needham in The Cannonball Run (1981), another fun-filled action film that spawned another franchise. His other high-octane films included Sharky's Machine (1981) and two movies as ex-con Gator McClusky.

In Smokey, Reynolds starred alongside Sally Field, and the two were an item for some time. He also had relationships with the likes of Dinah Shore (20 years his senior), Inger Stevens and Chris Evert, and he talked about dating Hawn and Farrah Fawcett in his book.

Reynolds was married to British actress Judy Carne (famous for NBC's Rowan & Martin's Laugh-In) from 1963-66 and then to Loni Anderson, the voluptuous blonde best known for the CBS sitcom WKRP in Cincinnati, from 1988-93. Both marriages were tempestuous, and his divorce with Anderson was particularly messy.

After a string of big-screen failures and the cancellation of his ABC private detective series B.L. Stryker, Reynolds rejuvenated his career by starring in the 1990-94 CBS sitcom Evening Shade, created by Harry Thomason and Linda Bloodworth-Thomason.

He won an Emmy Award in 1991 for best actor in a comedy series for playing Woodrow "Wood" Newton, a former Pittsburgh Steelers quarterback who returns to his small-town home in Arkansas to coach a woeful high school team.

Burton Milo Reynolds Jr. was born on Feb. 11, 1936, in Waycross, Ga., and raised in Florida's Palm Beach County. His father was an Army veteran who became the police chief in Riviera Beach, Fla., not too far from the Everglades.

"My dad was my hero, but he never acknowledged any of my achievements," he wrote in his memoir. "I always felt that no amount of success would make me a man in his eyes."

Then known as Buddy Reynolds, he played halfback at Palm Beach High School, where his teammate was future New York Yankees manager Dick Howser, then suited up at Florida State, where Lee Corso, later a college coach and ESPN analyst, played on both sides of the ball. But he suffered a knee injury as a sophomore, and that was it for football and Florida State.

Reynolds enrolled at Palm Beach Junior College and appeared in a production of Outward Bound, playing the part handled by John Garfield in the 1944 film adaptation, Between Two Worlds. That led to a scholarship and a summer-stock stint at the Hype Park Playhouse in New York. He roomed with another aspiring actor, Rip Torn, and they studied at the Actors Studio.

After a few appearances on Broadway and on television, Reynolds was off to Hollywood, where he signed with Universal and manned the wheel as Ben Frazer on Riverboat, an NBC Western that starred Darren McGavin.

He met Needham on that show, and the stuntman would double for him on projects through the years. Reynolds is referenced in "The Unknown Stuntman," the theme song from the 1980s ABC series The Fall Guy, and he played an aging stuntman in Needham's second film, Hooper (1978).

Reynolds joined Gunsmoke for its eighth season in 1962 as Quint Asper, a half-Comanche who becomes the Dodge City blacksmith. He played the title warrior in the 1966 spaghetti Western Navajo Joe, was an Iroquois who worked as a New York City detective in the short-lived ABC series Hawk and portrayed a Mexican revolutionary in 100 Rifles (1969).

Reynolds got another shot at toplining his own ABC show, playing homicide detective Dan August in a 1970-71 Quinn Martin production, but the series was axed after a season.

Reynolds appeared often on NBC's The Tonight Show, and in 1972 he became the first non-comedian to sit in for Johnny Carson as guest host (Reynolds' first guest that night was his ex-wife, Carne; they hadn't spoken in six years, and she made a crack about his older girlfriend Shore). He and Carson once engaged in a wild and improvised whip-cream fight during a taping, and he got to show a side of him the public never knew.

"Before I met Johnny, I'd played a bunch of angry guys in a series of forgettable action movies, and people didn't know I had a sense of humor," he wrote. "My appearances on The Tonight Show changed that. My public image went from a constipated actor who never took a chance to a cocky, wisecracking character."

Reynolds showed that lighter side when he played a sperm in Woody Allen's Everything You Always Wanted to Know About Sex (1972), and he lampooned his lavish Hollywood lifestyle in Mel Brooks' Silent Movie (1976). He was not above making fun of himself and his toupee.

In 1979, he opened the Burt Reynolds Dinner Theatre in Jupiter and in the 1980s, he developed the syndicated game show Win, Lose or Draw with host Bert Convy. The set was modeled after his living room.

With his divorce from Anderson and bad restaurant investments contributing to more than $10 million in debts, Reynolds filed for Chapter 11 bankruptcy protection in 1996 and came out of it two years later. In recent years, he sold properties in Florida, including his fabled 160-acre ranch — the Allman Brothers recorded an album there in the 1990s — and auctioned off personal belongings.

Survivors include his son, Quinton; he and Anderson adopted him when he was 3 days old.

Despite the ups and downs of a Hollywood life, Reynolds seemed to have no regrets.

"I always wanted to experience everything and go down swinging," he wrote in the final paragraph of his memoir. "Well, so far, so good. I know I'm old, but I feel young. And there's one thing they can never take away: Nobody had more fun than I did."

Eric Paddon
Posts: 8622
Joined: Sun Apr 10, 2005 5:49 pm

Re: RIP Burt Reynolds

#2 Post by Eric Paddon »

I was never that much of a fan of his but he no doubt made an impact for awhile. RIP.

There are some really bizarre errors though in this article. For one thing, I don't believe for one minute he "backed away" from playing "Batman." The only other actor who was ever tested for the part other than Adam West was Lyle Waggoner. And second, he was NOT the first non-comedian to host the Tonight Show. They had plenty of non-comedians throughout the first decade. Where this kind of nonsense comes from, goodness knows.

User avatar
AndyDursin
Posts: 34276
Joined: Tue Oct 05, 2004 8:45 pm
Location: RI

Re: RIP Burt Reynolds

#3 Post by AndyDursin »

Same deal with Han Solo. Not sure that was actually ever on the table was it? Lol

Terms of Endearment though I very much believe.

mkaroly
Posts: 6218
Joined: Fri Jun 17, 2005 10:44 pm
Location: Ohio

Re: RIP Burt Reynolds

#4 Post by mkaroly »

RIP.

The film I will remember him for is CANNONBALL RUN...and in a close second SMOKEY AND THE BANDIT.

User avatar
Monterey Jack
Posts: 9742
Joined: Mon Oct 18, 2004 12:14 am
Location: Walpole, MA

Re: RIP Burt Reynolds

#5 Post by Monterey Jack »

I heard he was going to play a role in Tarantino's Once Upon A Time In Hollywood, but I doubt he'd gotten to the point of filming yet. Shame. :(

User avatar
AndyDursin
Posts: 34276
Joined: Tue Oct 05, 2004 8:45 pm
Location: RI

Re: RIP Burt Reynolds

#6 Post by AndyDursin »

The superb Reynolds documentary THE BANDIT -- for those who missed it -- is being rebroadcast on Friday (8 and 10pm) and Saturday (Noon) on CMT.

It's also on the most recent "Smokey and the Bandit" 40th Anniversary Bu-Ray too -- it's a candid and quite excellent production filled mostly with rare archival footage. It's as much about Reynolds, his celebrity and relationship with Hal Needham as it is the production of the film. Definitely not the usual "talking head" DVD documentary, it also charts the rise to stardom for Reynolds and is a great capsule of time and place.

John Johnson
Posts: 6091
Joined: Tue Apr 19, 2005 3:28 pm

Re: RIP Burt Reynolds

#7 Post by John Johnson »

One of his final roles, The The Last Movie Star is available now on Amazon Prime.

London. Greatest City in the world.

Eric W.
Posts: 7572
Joined: Wed Oct 06, 2004 2:04 pm

Re: RIP Burt Reynolds

#8 Post by Eric W. »

Wow, RIP.

User avatar
Paul MacLean
Posts: 7061
Joined: Sat Oct 09, 2004 10:26 pm
Location: New York

Re: RIP Burt Reynolds

#9 Post by Paul MacLean »

I have to be honest, I wasn’t a fan of most of Burt Reynolds’ films. I thought he had a magnificent talent, and squandered that talent by appearing in a lot of trashy movies and fluff. Nevertheless, he *was* an incredibly gifted performer, and should be remembered for one of the best performances of the 1970s, in one of the best films of the 1970s…


User avatar
Paul MacLean
Posts: 7061
Joined: Sat Oct 09, 2004 10:26 pm
Location: New York

Re: RIP Burt Reynolds

#10 Post by Paul MacLean »

Here's a nice reminiscence / tribute by Leonard Maltin...

http://leonardmaltin.com/remembering-bu ... ruthfully/

KevinEK
Posts: 325
Joined: Fri Feb 24, 2017 6:32 pm

Re: RIP Burt Reynolds

#11 Post by KevinEK »

Burt Reynolds had a checkered career, to say the least. At his peak, he was on top of Hollywood in the 70s and could have and should have been able to make more of a long-term impact in terms of his choices. But he clearly never conquered his inner demons and problems.

He started out as a young jock, presumably on course to a football career, at the time he was playing in high school. When injuries ended that idea, he turned to acting as he could parlay his good looks into at least something. For the first decade plus of his career, he really played in television, with a few low-end movies thrown in. From what I can see, he had a running feud with Marlon Brando, which both men lied about over the years. Brando was easily the better actor, but Reynolds was the bigger blusterer. (I still remember an early Reynolds performance making fun of Brando as "Rocky Rhoades" on Twilight Zone in the early 60s, something that Brando clearly never forgave him for doing.)

Reynolds' breakout after lots of television was "Deliverance", in which he was really good and didn't just do his usual schtick. But he squandered that opportunity by posing nude in Cosmopolitan that year and likely blew what would have been an Oscar nomination and a big career change. So he went back to his typical stuff with "White Lightning" before doing well with "The Longest Yard". His movies made plenty of money in the 70s but they were known for being pretty much fluff - either action thrillers or action comedies. The big one, obviously was "Smokey and the Bandit", which was on the low end of the studio spectrum and was intended more as a stunt showcase for Hal Needham before Reynolds agreed to front it. With that movie, Reynolds went on a string of fairly breezy action comedies and other comedies for the next several years - albeit with some tries at doing something more interesting here and there - such as his supporting turn in "Starting Over" and his jump into "The Best Little Whorehouse in Texas", which did more for regular Reynolds co-star Charles Durning. (And before we laugh at Reynolds doing that, we should remember that Stallone would copy the move a couple years later by singing in his own movie with Dolly Parton, "Rhinestone"...)

In the middle of this period, Reynolds directed "Sharky's Machine", which could have been a big action hit but instead just did okay. Some people have commented that this film was Reynolds trying to do a Clint Eastwood movie, and there may be some truth to that. I just remember that some of the violent scenes, particularly when Sharky is attacking the female lead, come across as frighteningly convincing - particularly given Reynolds' legendary bad temper and reputation for that kind of abuse. (Reynolds, like Connery, saw himself as a "man's man", and tried to embody all that came with that label...)

To me, the lowest point of Reynolds' stardom really came with "Stroker Ace" in 1983, which was a terrible film. For me, he'd peaked with "Smokey", with a close second place going to "Hooper", except that you can tell in Hooper that Reynolds' ego is inflating to a level that's not comfortable to watch. The level of self-satisfaction and chuckling got to the point in "Stroker Ace" where it was simply risible - and I believe that's the reason Norm Macdonald gets so much mileage out of ripping on it for his "Turd Ferguson" bit on SNL. (I don't know that I buy Macdonald's claim that Reynolds enjoyed that bit, but I haven't taken the time to read Reynolds' books and frankly am not interested in doing so.) Reynolds says that the real problem happened on the set of "City Heat" when he got hit in the face by a flying chair and that the resultant jaw injury and pain medication wrecked his life. Looking at his career at the time, as he went from larger movies to doing things like "Stick", "Malone", "Heat" and "Rent-a-Cop", my impression is that he was simply floundering. I had hoped for a lot more from "City Heat" - in that it paired Reynolds with Eastwood - I was hoping we'd see something along the lines of a meeting of Sharky and Dirty Harry. Instead, we wound up with a half-baked comedy that didn't really work.

By the end of the 80s, he was not able to do much in movies and was forced to return to television. I remember a lot of tut-tutting when he did the "B.L. Stryker" series in 1989 - as people were commenting that this was just a warmed-over TV version of the action movies he used to make, only now with one of the head producers being Tom Selleck, who had been felt to be doing a TV version of Reynolds for years. When that series floundered too, Reynolds finally got something good with the sitcom "Evening Shade", which once again put him on the map and gave him a good platform for 4 years. And even that came apart after Reynolds' marriage to Loni Anderson infamously exploded. Reynolds' last real shot at coming back came with "Boogie Nights", where he finally received an Oscar nomination, but he squandered that one too. He spent the 2000s occasionally making head-scratcher appearances in things like the remake of "The Longest Yard" and the horrifying film version of "The Dukes of Hazzard" of all things.

In the last few years, the only news I'd heard of Reynolds was that he was a shadow of his former self and that he'd been forced to sell most of his properties and possessions. To my knowledge, he went through at least two bankruptcies - one in the 90s after the divorce from Anderson and another one this decade after the bills mounted up again. In the end, there was very little left of the money, the houses or all the trappings of celebrity he had amassed in the past. From everything I can see, he'd squandered it all - and there's a lesson in that about how that all eventually catches up. (We saw the same thing, sadly, with Mickey Rooney and many others, who were at one time on top of the world, and then that time passed...)

I remember Reynolds for movies like "Deliverance", "Smokey and the Bandit" and "Hooper". To me, he epitomizes a time in Hollywood and a kind of movie that we don't really have anymore. To be fair, I tend to think of Reynolds and Hal Needham in the same way.

The documentary "The Bandit" touches on some interesting and unfortunate territory, while also casting some of the things that happened on "Smokey" in a different light. People are aware there really was only one scene where Reynolds played directly, face to face, with Jackie Gleason, even though there were other scenes that had been scripted. (This doesn't count the CB radio stuff - just the one diner moment) I hadn't known until that documentary that Reynolds made clear after filming that scene that he did not wish to do any more scenes with Gleason. The documentary doesn't outright say it, but it's pretty clear that Reynolds felt that Gleason was stealing the scene and didn't want to get into that kind of competition. But there's a darker moment in "The Bandit", regarding one notorious moment in the filming when they jumped the Trans-Am onto a teenage football field and rammed through the dugout. Even in the DVD documentary, this moment was mentioned as potentially dangerous, as the car was dangerously sliding on the recently watered field and someone could have been badly injured or worse when the Trans-Am blasted through. In the newer documentary, they mention that some of the kids froze on the field and at the dugout, and that some people went to the hospital. I'd never heard that before - and I'd be curious to know exactly how bad this stunt went.

Post Reply