AndyDursin wrote:I think Waltz winning again was probably the biggest surprise. I mean, isn't he playing the same role he did 2 years ago? And they gave it to him again?? Kind of odd.
I didn't find Dr. King Schultz to be much like Col. Hans Landa...Waltz was much more warm and personable in
Django Unchained than he was in
Inglourious Basterds. I mean, Tarantino dialogue always has the same rhythm and cadence from film to film, but I didn't find Waltz's two performances to be especially alike. I was totally surprised that he won again, though. I thought De Niro would take it for the "Hey, you were in a movie that didn't suck! Good for you!" pity sweepstakes. Anyways, it was a category filled with fine performances, so I can't really complain. Also great to see the Q take the Original Screenplay award.
What happened to Kristen Stewart's foot? She was definitely limping onto the stage for her presentation and was clearly in some state of distress. Well, at least she had a
reason for not smiling for once.
While I liked
Brave, I agree that it wasn't a Pixar highlight and was probably the least-interesting of the nominated films. I wish
Frankenweenie had taken it just so Tim Burton could have an Oscar.
Shame that the lineup of 007 actors couldn't happen, but Shirley Bassey's performance of
Goldfinger was definitely a highlight of the evening, as was Adele's
Skyfall (although I found it a bit tacky that only three of the nominated songs were actually performed during the broadcast).
As for Seth MacFarlane...I
didn't hate him.

While I continue to detest his creations, he was a fairly winning host, and even though there were the expected number of clunker jokes, he kept things moving along nicely, although I continue to grow weary of his fetish for gratuitous big band musical numbers.
Yes, you can sing, you don't have to cram songs into
everything you do.
Mychael Danna winning Best Score was fine with me...he's a talented composer, and it's nice to see him get his due for one of the better scores of the year. Also nice to see Ang Lee pick up the directing award...his film had the biggest technical hurdles to overcome, and Lee deserves credit for managing to bring an "unadaptable" novel to the big screen with such visual polish and emotional resonance.
Did they honestly add another commercial and cut into George Clooney's introduction to the "In Memorium" segment? That was a regrettable snafu.