DavidBanner wrote: I'll again have to disagree about the merits of "Interstellar" and its score by Hans Zimmer. I realize he's unpopular here, but that was not a wallpaper score by any means. There were repeated motifs, but ones that resonated with the characters and the story. As always of late, it was bombastic at points, but it also had some great moments of heart. And the use of the pipe organ kept bringing up thoughts of John Carpenter scores from days past.

I honestly do think Hans Zimmer is a talented man. I love (and have been waiting 25 years for the release of) this fabulous score he wrote for a BBC TV movie called First Born. I also think Gladiator has its moments.

But I don't like a lot of the stylistic choices he has made in his career -- especially this streamlined, melodically vague schtick he's been into for years. It also bugs me that so many of his scores are co-written by others. Yeah, everyone (even Jerry Goldsmith) has used ghostwriters, but with people like Williams, Goldsmith, etc. ghosting has been the exception. With Zimmer it's the rule.

And this "sweat shop" of composers who write in his style has also resulted in the "Zimmer sound" saturating just about every movie. I'm so sick of it.