Jedbu wrote:
There is no way that JPII is the worst film in the Spielberg canon. Remember ALWAYS? That is the one film of his that I cannot watch again. I saw it just before it opened and thought it was OK, but watching it again a few years later I just turned the VCR off when Audrey Hepburn appeared and introduced herself as "Hap!"
Audrey Hepburn playing a character called. . .Hap? Kinda blows the mind, doesn't it?
And let us not forget HOOK-that incredible overblown kids epic that calls to mind what Stan Laurel said about the first feature that he and Hardy made together: "a three-story building on a one-story base."
With the exception of the opening musical number from INDY II, you can keep that one, as far as I'm concerned.
JPII, WAR OF THE WORLDS and MINORITY REPORT are masterpieces by comparison, IMHO.
You'd seriously prefer THE LOST WORLD to THE TEMPLE OF DOOM?!? Yikes.
Personal preferences are difficult to argue, but I'd take ALWAYS or HOOK any day over JP II. At least HOOK has a tremendous score (which alone makes the film endurable for me) and SOME great scenes interspersed with a lot of saccharine elements, and ALWAYS...listen, I didn't think it was great by any means, but it's a cute movie. Allen Daviau's cinematography is nice, Dreyfuss and Hunter are good, though Brad Johnson certainly never turned into anything other than a direct-to-video name (Philadelphia Experiment II, anyone?

It's a romantic comedy, lightweight fantasy, not his best by any means but I don't think it's deserving of its bad rep.
Nothing works at all in THE LOST WORLD. The plot is a mess, the dialog is lame, the story makes no sense (introducing characters, then dropping them like Pete Postelthwaite's big game hunter, who literally announces he's leaving the film!), the environmental preaching is cringe-inducing, and the last third comes out of nowhere -- hey let's go back to civilization...only to have such amazing sequences as the dinosaur taking down a gas station. Wow!

That whole section screamed "last minute re-write," and for the first time Spielberg fumbled every opportunity at generating suspense and emotion.
Roman I don't think he was under contract to direct it, just be involved. In hindsight I think he made a major mistake, because I agree the movie is uninspired and even embarrassing at times. The scene with Goldblum's daughter kicking the raptors, as I mentioned, is so awful -- these are the same cunning creatures Bob Peck couldn't outwit in the original film, and yet a few Power Rangers maneuvers and she's in the clear. Yeah, whatever....

None of the set pieces stand out, and topping it off is Janusz Kaminski's ugly cinematography. Even Williams' score is not his best.
I still chalk it up as his worst -- or at least most unsatisfying film -- because at least there are
some things I like about the films usually considered in his "bottom tier" (like Always, Hook, The Terminal).
There ain't much that works in THE LOST WORLD, or that's worth revisiting, either. What IS there to like about it?