HALLOWEEN 2005 Official Thread: Your Favorite Films & Sc
Posted: Thu Oct 06, 2005 5:46 pm
As we're into October, the leaves are changing and the temps are cooling off, I thought it'd be the perfect time to ask everyone:
1. What do you usually watch each Halloween season? Perennial favorites, specials and the like included...
and
2. Do you have any particular favorite genre soundtracks that you find yourself playing every October?
I have so many, but I tend to whittle it down each year to a few selected personal faves:
Andy's Halloween Favorites
*IT'S THE GREAT PUMPKIN CHARLIE BROWN: Needless to say, a must-view, between the art direction and Vince Guaraldi's perfect musical accompaniment. An all-time classic that still works each and every year.
*UNIVERSAL '30s & '40s MONSTERS: Bride of Frankenstein in particular, and the first 20 minutes of the '31 Dracula, if I'm short on time. The Legacy Collection DVD box sets have made it even easier to just plop a disc in and enjoy.
*HALLOWEEN (1978): Anchor Bay's original (1998) DVD edition, with the correct color and Alan Howarth's 5.1 remix. Spooky still to this day, with some great atmosphere.
*LADY IN WHITE (1988): I reviewed MGM's new DVD this week. This film has some of the best Halloween "feel" bar none of any picture out there, and remains a beautifully presented work, in spite of some narrative issues.
*GHOST STORY (1981): A slightly flawed movie nearly ruined by extensive post-production tinkering, this is still a guilty pleasure. A routine plot salvaged by a few superb set-pieces, a great Phillipe Sarde score (see below) and vivid Jack Cardiff cinematography. No Special Edition, but I'm hopeful a remake will do more justice to Peter Straub's original novel (one of my favorites!).
*DRACULA (1979): John Badham still retained his "tinted" pseudo-B&W cinematography on the DVD, which is unfortunate, but this version is still worth a look. Excellent cinematography and what a great score by John Williams as well!
Favorite Genre Scores, In No Particular Order
*Chiller (Compilation album by Erich Kunzel and the Cinci Pops) -- Excellent collection of genre-themed orchestral music, both classical and film related...highly recommended!
*Halloween (John Carpenter) & Halloween III (Alan Howarth/Carpenter) -- A pair of early '80s/late '70s movie music staples, both still get my heart pumping for Halloween
*Ghost Story (Sarde): A beautiful score by Sarde with melodic moments, creepy passages, and an evocative sweep. A shame Sarde's American scoring output has been limited in recent years.
*Dracula (Williams): See above. Another classic Williams score.
*The Omen Trilogy (Goldsmith): Perhaps the perfect "Halloween Symphony" if you will. I typically listen to all three scores in chronological order, and it works brilliantly because you hear the development of Goldsmith's music, from exploitation horror overtones in the '76 original to the more evocative, grander scale of "The Final Conflict." While I realize the latter may be the weakest film of the three, I favor Goldsmith's score over the other two, because it has a maturity that makes it stand out and a perfect finale to the whole series.
And there are many more -- but I'm more interested in hearing your favorites![/b]
1. What do you usually watch each Halloween season? Perennial favorites, specials and the like included...
and
2. Do you have any particular favorite genre soundtracks that you find yourself playing every October?
I have so many, but I tend to whittle it down each year to a few selected personal faves:
Andy's Halloween Favorites
*IT'S THE GREAT PUMPKIN CHARLIE BROWN: Needless to say, a must-view, between the art direction and Vince Guaraldi's perfect musical accompaniment. An all-time classic that still works each and every year.
*UNIVERSAL '30s & '40s MONSTERS: Bride of Frankenstein in particular, and the first 20 minutes of the '31 Dracula, if I'm short on time. The Legacy Collection DVD box sets have made it even easier to just plop a disc in and enjoy.
*HALLOWEEN (1978): Anchor Bay's original (1998) DVD edition, with the correct color and Alan Howarth's 5.1 remix. Spooky still to this day, with some great atmosphere.
*LADY IN WHITE (1988): I reviewed MGM's new DVD this week. This film has some of the best Halloween "feel" bar none of any picture out there, and remains a beautifully presented work, in spite of some narrative issues.
*GHOST STORY (1981): A slightly flawed movie nearly ruined by extensive post-production tinkering, this is still a guilty pleasure. A routine plot salvaged by a few superb set-pieces, a great Phillipe Sarde score (see below) and vivid Jack Cardiff cinematography. No Special Edition, but I'm hopeful a remake will do more justice to Peter Straub's original novel (one of my favorites!).
*DRACULA (1979): John Badham still retained his "tinted" pseudo-B&W cinematography on the DVD, which is unfortunate, but this version is still worth a look. Excellent cinematography and what a great score by John Williams as well!
Favorite Genre Scores, In No Particular Order
*Chiller (Compilation album by Erich Kunzel and the Cinci Pops) -- Excellent collection of genre-themed orchestral music, both classical and film related...highly recommended!
*Halloween (John Carpenter) & Halloween III (Alan Howarth/Carpenter) -- A pair of early '80s/late '70s movie music staples, both still get my heart pumping for Halloween

*Ghost Story (Sarde): A beautiful score by Sarde with melodic moments, creepy passages, and an evocative sweep. A shame Sarde's American scoring output has been limited in recent years.
*Dracula (Williams): See above. Another classic Williams score.
*The Omen Trilogy (Goldsmith): Perhaps the perfect "Halloween Symphony" if you will. I typically listen to all three scores in chronological order, and it works brilliantly because you hear the development of Goldsmith's music, from exploitation horror overtones in the '76 original to the more evocative, grander scale of "The Final Conflict." While I realize the latter may be the weakest film of the three, I favor Goldsmith's score over the other two, because it has a maturity that makes it stand out and a perfect finale to the whole series.
And there are many more -- but I'm more interested in hearing your favorites![/b]