AndyDursin wrote: ↑Thu Jan 16, 2025 1:44 pm
Dude was one-of-a-kind. I was never the biggest fan of his, but I respected his artistry and when he was good -- like those early episodes of TWIN PEAKS -- he was really good.
That's very much the way I would put it.
I was never a fan of
Blue Velvet, which was a little too disturbing for me. Yet, for someone to make a film that bizarre, and generate critical and box office success --
and get Hollywood to underwrite his genuinely unique and offbeat ideas -- was definitely healthy for the business, and art.
I admit another part of the reason I didn't didn't warm to his work, was that many of my peers in film school salivated over Lynch's work (their other "cinema darlings" were Alex Cox, Oliver Stone...and Jonathan Demme!). Those of us who liked Spielberg were mocked.
I even had a date with a girl who
loved Blue Velvet (in addition to "well-remembered classics" like
River's Edge and
Letter to Brezhnev), who rolled her eyes when I spoke highly of
Jaws.
So I came to associate David Lynch with a fanbase of pretentious, faux-punk poseurs.
All the same, I always considered
The Elephant Man a work of genius, and one of the greatest films of the 1980s -- from top-to-bottom a perfect film. I've also re-evaluated my opinion of
Dune over the years. I better-appreciate its distinctive character, and unique visual style (especially in the wake of the comparatively bland -- and less faithful -- Villeneuve remake).