

EVERY Pixar movie gets glowing reviews across the board. Not saying WALL-E isn't entitled, but RATATOUILLE and CARS weren't four or five star movies for me anyway, yet they were also ravished with endless, gushing praise from a lot of critics. WALL-E is certainly a very, very good movie but some of the reviews ("it's beyond perfection") are extreme to the point of being laughable, at least from my perspective, because the film has a few things in it that prevent it from being a classic -- especially in the second half. If you are also sensitive to Political Correctness as I am you will also be annoyed by a few things in it, at least to a small degree.Eric W. wrote:The reviews I've seen have really been glowing across the boards. I can't wait to see it and it wouldn't surprise me at all if it ends up being the best film of 2008, at least.
Certainly that kind of praise shouldn't be doled out lightly.AndyDursin wrote:EVERY Pixar movie gets glowing reviews across the board. Not saying WALL-E isn't entitled, but RATATOUILLE and CARS weren't four or five star movies for me anyway, yet they were also ravished with endless, gushing praise from a lot of critics. WALL-E is certainly a very, very good movie but some of the reviews ("it's beyond perfection") are extreme to the point of being laughable, at least from my perspective, because the film has a few things in it that prevent it from being a classic -- especially in the second half.Eric W. wrote:The reviews I've seen have really been glowing across the boards. I can't wait to see it and it wouldn't surprise me at all if it ends up being the best film of 2008, at least.
Good points. I have seen most of the reviews mention the preachy tone and political correctness, especially in the second half. That will probably annoy me for a moment but overall I expect to enjoy myself when I see this.If you are also sensitive to Political Correctness as I am you will also be annoyed by a few things in it, at least to a small degree.
We shall see...
That said it's still a terrific entertainment, but I'd hesitate to call it a classic. But to each his own. There are obviously loads of folks who think it is.
He is one of my favorites as well. I will buy any score of his without question- he's very unique and I think he has left an indelible, positive mark on film scoring (unlike some composers).[/b]JSWalsh wrote:Thomas Newman really is becoming the replacement for Jerry, for me--he writes scores I buy without bothering to put myself through the movie.
I used to have many composers I trusted enough to buy without a listen. Now it's just a handful.
AndyDursin wrote:I LOVED the character and I thought it was excellent as well -- though I confess that I wasn't so crazy about the second half of it. It started beautifully and then turned into something much more routine -- and I became a bit exhausted by the chase scenes. I also found some of the social commentary a little much (it's fine to portray humans as fat, bloated consumerists, but coming from a company that has thrived on its success through audience-driven box-office and Walmart and big-chain DVD sales, it's like biting the hand that feeds you IMO).
That aside, it's certainly well worth the trip to see and it's easily Pixar's best effort since NEMO, though I wish the second half of it had held up its end of the bargain, and they had lightened up a little on the preachy, Politically Correct tone.
I've seen this mentioned around and about, including in a few reviews.scorehead wrote:
BTW - did anyone else feel that there was a lot of subliminal advertising present in this film that was unconsciously, or consciously, supporting APPLE COMPUTER? The production design was great, but the character of "Eve" favorably looked like a supped up imac to me.
I just didn't feel there was enough emotion in Newman's score. It's quirky and "off kilter" the way a lot of his scores are, but I just felt something was missing from this work. The Peter Gabriel song is terrible, and I usually like popish movie tunes.That's not to say that I didn't enjoy his music, as it is very appropriate during the quieter more subdued scenes. But I truly feel that the film could have benefited further, especially during the moments of action, from the bombastic musical kick that we usually get from the likes of, say, John Powell of John Debney.
AndyDursin wrote:I just didn't feel there was enough emotion in Newman's score. It's quirky and "off kilter" the way a lot of his scores are, but I just felt something was missing from this work. The Peter Gabriel song is terrible, and I usually like popish movie tunes.That's not to say that I didn't enjoy his music, as it is very appropriate during the quieter more subdued scenes. But I truly feel that the film could have benefited further, especially during the moments of action, from the bombastic musical kick that we usually get from the likes of, say, John Powell of John Debney.