These are mine:
CAVALCADE-boring beyond belief!; substitute: CITY LIGHTS
THE GREAT ZIEGFELD-one of the most turgid and dull musicals ever; substitute: DODSWORTH
YOU CAN'T TAKE IT WITH YOU-not one of Capra's best by a long shot; substitute: THE ADVENTURES OF ROBIN HOOD
HAMLET-aside from Walton's score this has not aged well; substitute: THE TREASURE OF SIERRA MADRE
THE GREATEST SHOW ON EARTH-probably one of C. B.'s dullest movies; substitute: SINGIN' IN THE RAIN
AROUND THE WORLD IN 80 DAYS-almost unwatchable in some spots and the guest stars are really distracting nowadays; substitute: THE SEARCHERS
BEN-HUR-the 1925 silent is shorter and actually moves better; substitute: SOME LIKE IT HOT
OLIVER!-Carol Reed was better with crooks and spies; substitute: THE GOOD, THE BAD AND THE UGLY
MIDNIGHT COWBOY-aside from Hoffman's and Voight's performances, this film has not aged well; substitute: THE WILD BUNCH
KRAMER VS. KRAMER-as Hoffman said, "the soap opera won," and seems soapier than ever; substitute: MANHATTAN
CHARIOTS OF FIRE-except for the main title and Ian Holm very little has stayed with me from this film; substitute: RAIDERS OF THE LOST ARK
TERMS OF ENDEARMENT-I never really bought into this film except for Nicholson and Lithgow; substitute: THE RIGHT STUFF
SHAKESPEARE IN LOVE-Harvey Weinstein bought this award and I think it suffers from a terminal case of the cutes; substitute: SAVING PRIVATE RYAN
CRASH-are you kidding?; substitute: BROKEBACK MOUNTAIN
I'll be curious to see how this goes. . .
![Wink :wink:](./images/smilies/icon_wink.gif)