Probably THE most annoying (but catchy!) Jerry Goldsmith score ever.


Whatever happened to Richard Franklin? The Australian auteur became a hot commodity for a while in the ’80s with genre films like “Psycho II” and the kid fantasy “Cloak and Dagger,” but he saw his career fizzle out after misfires like the barely released 1986 ape thriller LINK (103 mins., R; Kino Lorber). Produced for Thorn EMI before their film division went belly-up and was sold to Cannon, “Link” stars Terence Stamp as a daffy college professor whose work with intelligent simians results in one of those predictable “don’t mess with nature” plots, forcing grad student Elisabeth Shue to battle a chimp gone wild in Stamp’s isolated British manor.
Jerry Goldsmith’s goofy score – with a few notes clearly presaging his “Gremlins 2” theme – is one of the chief assets of this strange thriller, which for years Franklin claimed was sabotaged due to pre-release cuts. Thorn EMI’s movie division rolled out a handful of mostly disastrous flops before it went under prior to “Link”’s release – and in a brief Aussie phone interview contained in Kino Lorber’s Blu-Ray, Franklin reveals that Universal initially supported releasing the film and suggested cutting it to 103 minutes. Ultimately, Cannon’s purchase of Thorn EMI’s slate relegated the film to very limited distribution and a fast track to home video, where it’s only been sporadically available since.
Some 25 minutes of deleted workprint scenes are a nice inclusion in Kino Lorber’s “Link” Blu-Ray – the movie’s worldwide debut in the format – yet none of them would have improved the final product. “Link” was deemed as a failure even by its director, and it’s hard not to agree with him: after Shue heads to scientist Stamp’s isolated British coastal home, she meets his trio of intelligent chimps…one of whom doesn’t take to Stamp’s plan of ridding himself of the eldest member of the group. After Stamp goes missing, the remainder of the film is strictly a chase picture wherein Shue uncovers the culprit (you know who) and Franklin tries as hard as he can to make the claustrophobic stage sets cinematically compelling as Shue and friends run from the homicidal chimp (really a thinly disguised orangutan).
Frankly “Link” may have been more palatable had it been shorn of more of its 103 minutes, as Everett de Roche’s script is painfully thin on compelling dramatic content. Once Stamp departs, “Link” becomes a tedious, ineffective thriller minus actual suspense, clumsily making its way to a feeble finish line.
Kino Lorber’s Blu-Ray offers a nice 1080p (1.66) Studio Canal-licensed transfer that looks like a fresh scan with warm color and nice detail. Sadly the soundtrack doesn’t fare as well, with the movie’s Dolby Stereo mix ineffectively translated here into a muddled mono soundtrack instead (after digging around, I found the 2001 Anchor Bay DVD that I covered for an FSM “Laserphile” column, and confirmed it was in fact in stereo). That disappointment aside, the Blu-Ray also includes some welcome supplements, including a commentary from film critics Lee Gambin and Jarret Gahan, the before-mentioned deleted scenes (mostly from the film’s first half), a brief phone interview extract with Franklin, a full run of trailers, and a “demo” of Goldsmith’s catchy main theme.
https://www.lechatquifume.com/collectio ... ducts/linkLIMITED EDITION
OF 1000 COPIES / RELEASE END OF NOVEMBER TECHNICAL:
• LINK - 1986 - 1h43 - USA - International
editing • UHD - 3840x2160 / 24p
• BLURAY - 1920x1080 / 24p
• French and English in DTS-HD MA 2.0 mono / English DTS- HD MA 2.0 Stereo
• Subtitles: French
• All Zones
BONUS :
• The missing link by Eric Peretti (39 min)
• Audio interview with Richard Franklin (4 min 45)
• Unpublished scenes (24 min)
• Long version lasting 2:05 (French subtitles)
• Announcement film